“Grandma” by Bhuwan Thapaliya

Bhuwan Thapaliya is a poet writing in English from Kathmandu, Nepal. He works as an economist and is the author of four poetry collections. His poems have been published in various International Journals and anthologized in numerous books worldwide such as Life in Quarantine: Witnessing Global Pandemic Initiative(Witnessing Global Pandemic is an initiative sponsored by the Poetic Media Lab and the Center for Spatial and Textual Analysis at Stanford University), International Human Rights Art Festival, Poetry, and Covid: A Project funded by the UK Arts and Humanities Research Council, University of Plymouth, and Nottingham Trent University, among many others.


Word from the Author:

This poem is about my grandmother and her struggles in the village of Nepal, her determination to give her children a good education despite all the odds, and her ardent love and affection for Nature and animals. She was very fond of trees and used to talk to them daily.  Every morning she used to wake up before dawn and used to walk miles to get the fodder for the cattle from the forest and come back to cook and feed her children and send them to school before engaging in her other heavy day-to-day household activities. To be precise, this is a poem about all the grandmothers in the villages of Nepal and their sacrifice to make their children what they are today.



She rose from her makeshift rustic bed

and strained her eyes in the morning sun

shining through termite eaten windows.

Drank a glass of basil water and then made

her way up a trail on a tough terrain

 to the forest overlooking the Sunkoshi River

 to collect fodder for her cattle.

An old kerosene lamp hangs in the window

of an abandoned building and carved wooden deities

flank a rickety gate. Poor eyesight, back permanently bent

from the burden of heavy loads, feet deformed

and ravaged by walking barefoot on rough terrain,

she looked older than her ancestral deity on a hilltop nearby.

Dry corn leaves rustled underfoot. She picked one

and rubbed it in her palms, smiling at herself

and kneeled down to quench her thirst from a

little burbling creek neighboring her path.

Thereafter, she hastened her pace humming

her favorite song, sung by her mother

when she was young.

“Plant a tree, then another, then many more. 

Maybe we will be able to cleanse the world.”

Every time when she hums this song,

she feels her mother humming it with her too.  

Whistling, she walked deep inside the forest 

and soon her doko was fully fodder crammed.

She looked at the deep blue sky and grinned

as a little girl with rhododendron flowers

in her hands high up in the Himalayas

and then sauntered slowly down the hill,

carrying heavy doko on her back with the namlo straps

on her forehead smiling at her neighbors

showing her uneven teeth, as they prepare

to spread animal fertilizer on their fields.

On the back of her polka-dotted cow,

there was a little bird.

The cows mooed loudly after seeing her.

She fed the cattle and then went inside the kitchen

to cook dal, bhat and tarkari.

In the adjoining room, her hungry children were

already getting ready for their school.

Human Rights Art Festival

Tom Block is a playwright, author of five books, 20-year visual artist and producer of the International Human Rights Art Festival. His plays have been developed and produced at such venues as the Ensemble Studio Theater, HERE Arts Center, Dixon Place, Theater for the New City, IRT Theater, Theater at the 14th Street Y, Athena Theatre Company, Theater Row, A.R.T.-NY and many others.  He was the founding producer of the International Human Rights Art Festival (Dixon Place, NY, 2017), the Amnesty International Human Rights Art Festival (2010) and a Research Fellow at DePaul University (2010). He has spoken about his ideas throughout the United States, Canada, Europe, Turkey and the Middle East. For more information about his work, visit www.tomblock.com.

http://ihraf.org
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